Now showing items 101-120 of 137

    • PAISII HILENDARSKI AND SPIRIDON RILSKI (A HYPOTHESIS OF THE COMPILATIONS OF THE SLAVONIC-BULGARIAN HISTORY AS A VESRION OF CO-AUTHORSHIP) 

      Radev, Ivan (УИ "Паисий Хилендарски", 2012)
      The text for the first time proposes the scientific hypothesis that the compiler of the first rehashment of The Slavonic-Bulgarian History, appearing between 1818 – 1819, to which at a later point ascend a number of ...
    • ON THE HISTORY OF THE HISTORY: COPIES AND REVISIONS OF PAISII HILANDARSKI’S TEXT 

      Dimitrova, Margaret; Peev, Dimiter (УИ "Паисий Хилендарски", 2012)
      This paper offers a concise check-list of the extant copies of Istorija slavenobolgarskaja (Slavo-Bulgarian History) (1762) by monk Paisii Hilendarski. The check-list includes information on the time and place of origin ...
    • THE CHIRPAN COPY OF PAISII HILANDARSKI’S HISTORY. MONK HARITON AND HIS DISCIPLES 

      Karadzhova, Darinka (УИ "Паисий Хилендарски", 2012)
      This paper analyzes the archaeographical and palaeographical aspects of the Chirpan copy of Slavonic-Bulgarian History of 1831. This copy contains a revised version of Paisii Hilendarski's History. The scholar identifies ...
    • REV. PAISII’S MOURNING 

      Ruskov, Ivan (УИ "Паисий Хилендарски", 2012)
      This text researches one major topic: how a special edition of the magazine „Saint Paisii Hillendarski“ [„Otets Paisii“] from 1932 depicts the national mourning on the anniversary of the capitulation of the land in the ...
    • SLAVONIC-BULGARIAN HISTORY OF PAISII HILENDARSKI – MEDIA EFFECTS 

      Lukova, Kalina (УИ "Паисий Хилендарски", 2012)
      The text is attempts to prove the universal character of „SlavonicBulgarian History“ by examining the media effects in the context of Western European Enlightenment – the period of the beginning of modern printing in Europe. ...
    • “PAPER CAN BEAR IT ALL” OR THE REVENGE OF INK ON THE (UN)WRITTEN HISTORIES OF OSTENSIBILITY. THE FIRST EDITION OF LORA KARAVELOVA’S LETTERS 

      Georgieva, Vania (УИ "Паисий Хилендарски", 2012)
      The text considers the literary value of Lora`s letters written by/to her both in the narrow literary sense and in the range of cultural time codes, when they were created and interpreted. Opposing to the vision whereby ...
    • POETICS OF ANALOGIES IN DIMTCHO DEBELYANOV'S POETRY 

      Bozhinova, Kanelya (УИ "Паисий Хилендарски", 2012)
      The subject of the present paper is the problem of analogies and their inversion in Debelyanov’s poetry – a matter of structural significance in his poetic world. This issue has been approbated with students from the 11th ...
    • EXPRESSING INTERCULTURALITY THROUGH THE WORKS OF JMG LE CLÉZIO AND ANNIE ERNAUX? 

      Roussel-Gillet, Isabelle (УИ "Паисий Хилендарски", 2012)
      Intercultural processes require thinking what culture means and how literature can contribute to these processes. How do Le Chercheurd’or, written by JMG Le Clézio (Nobel prize 2008) and Passion simple by Annie Ernaux deal ...
    • THE ATTRACTIVE FORCE OF THE TELENOVELLA 

      Ivanova, Tatyana (УИ "Паисий Хилендарски", 2012)
      The present research focuses on Latin American telenovelas’ attractive force. It is based on the notion of auto communication argued by Yuri Lotman and the notion of “recognition-substitute” arrived at by Tsvetan Todorov. ...
    • IDENTITY AND MARGINALITY IN MON NOM BY EUGÈNE 

      Timenova, Maya (УИ "Паисий Хилендарски", 2012)
      The novel My Name is an egotistical work. The metaphor of the mirror is symbolic in the quest of the self. Desillusioned and lucid about his its marginality, the author–narrator scrutinizes his past. He is writing secretly, ...
    • PERCEPTION AS NARRATION IN LA VOYEUSE INTERDITE BY NINA BOURAOUI 

      Nedeltcheva-Bellafante, Zlatorossa (УИ "Паисий Хилендарски", 2012)
      This text discusses the issue of the role of perception in the construction of the narrative and the narrative voice in the novel La voyeuse interdite by Nina Bouraoui. Perceptions, especially visual ones, are central to ...
    • SOCIAL SATIRE IN THE COMEDY SOLDADESCA OF TORRES NAHARRO 

      Kirilova, Radoslava (УИ "Паисий Хилендарски", 2012)
      The purpose of this report is to make an analysis of the Renaissance comedy Soldadesca of the Spanish playwright from the first half of the 16th century. Bartolomé de Torres Naharro. The study is focused on the satirical ...
    • THE TRAGIC SPIRIT IN THE HOUSE OF BERNARDA ALBA 

      Moirón, Rocío (УИ "Паисий Хилендарски", 2012)
      Federico García Lorca had a deep knowledge of Classical Literature and he often defended the need to recover the spirit of Greek tragedy. Most literary critics agree on the existence of a tragic character in Yerma and Bodas ...
    • JUDEO-SPANISH CULTURE 

      Ciabotaru De Manev, Jessica (УИ "Паисий Хилендарски", 2012)
      The purpose of the paper is to try to understand the pre-15th century Judeo-Spanish culture, and why it can be considered as such. It is focused on the history, the language, their origins and the influence from other ...
    • THE “CHAIR CANING”, “L'OMBRE DU SOLEIL” & MR. R. MUTT’S URINAL: THE IMPACT OF TECHNOLOGY ON THE AVANTGARDISTS’ INTERART PRACTICES 

      Kilyovski, Vakrilen (УИ "Паисий Хилендарски", 2012)
      The hybrid art forms of the collage, visual poetry and the “found objects” are among the highest manifestation of what Peter Bürger saw as “revolutionizing of art” by the historical avant-garde and what Michael Webster ...
    • CIRCUMSTANCE AND IDENTITY IN THOMAS HARDY’S SATIRES OF CIRCUMSTANCE IN FIFTEEN GLIMPSES (1911) 

      Rowland, Yana (УИ "Паисий Хилендарски", 2012)
      The paper examines the anthropological dimensions of the circumstance as such in Thomas Hardy’s Satires of Circumstance in Fifteen Glimpses (1911). Designed as a series of snapshots of reality, this cycle reveals the ...
    • HISTORY AND SCIENCE IN DANIEL KEHLMANN’S MEASURING THE WORLD 

      Licheva, Amelia (УИ "Паисий Хилендарски", 2012)
      One of the most widely acclaimed novels in the first decade of the 21st century is Daniel Kehlman’s Die Vermessung der Welt, which is an attempt at rewriting world history counting on two historical personae, which the ...
    • JANE AUSTEN AND TRANSLATABILITY: PRIDE AND PREJUDICE ILLUSTRATED 

      Kostadinova, Vitana (УИ "Паисий Хилендарски", 2012)
      The text traces several definitions of “translatability” as a concept, drawing upon Walter Benjamin, Wolfgang Iser, Jacques Derrida, and Mary SnellHornby, in order to focus on the intersemiotic translation Jane Austen’s ...
    • MEDIEVAL MYSTERY PLAYS AND THE PROTOPOLYPHONICITY OF ARTISTIC FORM 

      Manchorov, Atanas (УИ "Паисий Хилендарски", 2012)
      The present article re-examines Bakhtin’s view of the historicity of polyphony. He argues that the treatment of polyvocality in ancient and medieval literature can be only formal due to the lack of favorable conditions for ...
    • SUSAN GLASPELL ON THE VERGE1: MODERNIST FEMININITY ON THE THRESHHOLD 

      Muharska, Ralitsa (УИ "Паисий Хилендарски", 2012)
      This text sets itself the task to look at playwright Susan Glaspell and her play The Verge (1921) as a representation of one of the chief thresholds of modernity: the changing position of women. The focus is on modernist ...