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Now showing items 91-98 of 98
IN THE BEGINNING WAS THE ROUND TABLE
(УИ "Паисий Хилендарски", 2013)
In 1155 Wace invented the literary motif of the Round Table and introduced it into his Roman de Brut. In the beginning of the 13th century the meaning and symbolism of this motif fundamentally changed during the process ...
LACUNAE: ON THOMAS HARDY’S HUMAN SHOWS, FAR PHANTASIES, SONGS AND TRIFLES (1925)
(УИ "Паисий Хилендарски", 2013)
In Hardy’s Human Shows, Far Phantasies, Songs and Trifles (1925) one stumbles upon a surprising variety of lack, expressed through the expiration of beloved people, the departure of sustainable hopes for a more humane ...
EUROPEAN LITERARY AVANT-GARDISM IN THE BULGARIAN SOCIOCULTURAL CONTEXT DURING THE POST-WWI PERIOD
(УИ "Паисий Хилендарски", 2013)
The article describes the changes in the receptive horizon in Bulgaria after World War I and their impact on the perception of literary avant-gardism. Focusing on the feeling of acceleration as epochal crisis and disorder ...
RESONANCES FROM THE IDEOLOGIZATION OF LITERARY PROCESSES IN ITALY DURING THE 1950S
(УИ "Паисий Хилендарски", 2013)
In the 1950s in Italy the practice of giving away prizes for literary works set criteria for value which determined the editorial policy in Bulgaria in terms of translating Italian titles. This text examines eloquent ...
THE NOBEL PRIZES IN THE NEW CENTURY. IDEOLOGY-BASED CHOICES
(УИ "Паисий Хилендарски", 2013)
What does the profile of the Nobel Prize for literature in the new century look like and what principles is its allocation based on? In order to answer this question, the text dwells on the amount of politics involved in ...
IMAGE AND LIKENESS: (RE-)CREATION OF PAISII IN THE 1930s
(УИ "Паисий Хилендарски", 2013)
In the present report I review publications from the end of the 1930s and the beginning of the 1940s, in which a Bulgarian patriotic organization initiates the creation of a new image of Paisii Hilendarski. First, it is ...
Запрян Козлуджов. Херменевтичният подход – основания и изпитания. София: Захарий Стоянов, 2012, 179 с.
(УИ "Паисий Хилендарски", 2013)