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Now showing items 71-80 of 137
GAME AND FIGHT IN IVO ANDRIC'S STORIES FOR CHILDREN
(УИ "Паисий Хилендарски", 2012)
Ivo Andric’s literary creation for children can be observed through complex and symbolic contents of the texts of short stories in the collection entitled Children. In this paper the author considers in details the phenomenon ...
MYSTICISM IN IVO ANDRIC'S THE BRIDGE ON THE ZHEPA
(УИ "Паисий Хилендарски", 2012)
Mythical Foundations in the Story „The Bridge over the Zepa River“ The complex world of artistic imagination in the story “The Bridge over the Zepa River” gives rise to interesting possibilities of interpretations. In the ...
RETURN TO THE DESERTED BUILDING SITE: THE MARITIME NOVEL WHICH ANDRIC NEVER WROTE
(УИ "Паисий Хилендарски", 2012)
In 1968, Ivo Andriс told Svetlozar Igov he was writing a novel about the Balkan man meeting the sea. Until then, several excerpts from that novel having the Bosnian clerk Dražeslav as its main character had been published. ...
BIRDS OVER CONFLAGRATIONS IVO ANDRIC AND ALEKO KONSTANTINOV
(УИ "Паисий Хилендарски", 2012)
The text creates a literary-historical network, outlining the links between two writers who both come from small Balkan countries – Ivo Andric and Konstantin Konstantinov. It tells about their points of intersection during ...
IVO ANDRIC IN THE THEATRE AND ABOUT THE THEATRE
(УИ "Паисий Хилендарски", 2012)
It is widely known that Ivo Andric often hesitated and rejected to give his consent to the “dramatization” of his prose texts, and he objected even more to their scene and television performance and film or television ...
IVO ANDRIC AS A HISTORIAN AND HIS CONCEPTION OF ISLAMIC INFLUENCE IN BOSNIA AND HERZEGOVINA
(УИ "Паисий Хилендарски", 2012)
Andriс’s perception of Islam in Bosnia and Herzegovina in his literary works is widely known, accepted and disputed. However, it is less known that such understanding of Islam was not the consequence of writer’s imagination, ...
IVO ANDRIC'S ORPHEUS-LIKE JOURNEY IN HOUSE IN ISOLATION
(УИ "Паисий Хилендарски", 2012)
Jung makes a distinction between two types of art. The first type is manifested by a conscious intention: the epitome of ideas and meanings. There is also this other type of work resulting from the creative process, which ...
THE MEETING OF RELIGIONS IN ANDRIC'S STORIES
(УИ "Паисий Хилендарски", 2012)
In this paper we analyze the relation between religion (Christianity, Islam and Judaism), their confrontation, and the results of their intersection. Ivo Andric’s narrative products seem ideal because these intersections ...
ORTHODOX CHRISTIANS IN THE BRIDGE ON THE DRINA BY IVO ANDRIC
(УИ "Паисий Хилендарски", 2012)
This research opens the problems of Andric’s complex treatment of suffering and faith confession, of history and conventionality, of status and anthropology within the corps of Eastern Christians in the novel The Bridge ...
SICK BOSNIA BASED ON IVO ANDRIC’S PROSE FICTION WORK
(УИ "Паисий Хилендарски", 2012)
The world of Ivo Andriс’s novels and novellas is dominated by diseases, sick protagonists and colorful monomaniacs. This essay focuses on the exterior circumstances instrumental in the development of the manic disorders ...