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dc.contributor.authorПътова, Николета
dc.date.accessioned2018-04-08T12:19:20Z
dc.date.available2018-04-08T12:19:20Z
dc.date.issued2011
dc.identifier.citationПътова, Николета, "ЕЗИЦИТЕ НА ДРУГОСТТА ВЪВ ВЪЗРОЖДЕНСКАТА ДРАМАТУРГИЯ", ПЛОВДИВСКИ УНИВЕРСИТЕТ „ПАИСИЙ ХИЛЕНДАРСКИ“ – БЪЛГАРИЯ, НАУЧНИ ТРУДОВЕ, ТОМ 49, КН. 1, СБ. Б, 2011 – ФИЛОЛОГИЯ, 405-414en_US
dc.identifier.issn0861-0029
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/90
dc.description.abstractThis text examines the projections of the conflict between “one’s“ and “other’s“ in Bulgarian Renaissance Dramaturgy. In that case, the acts of the “other’s“ are connected with the European modernity, which becomes an object of condemnation in dramaturgic plots. In dramaturgy, the comparison of the two models of lifestyle, communication and dressing possesses a moral, in addition to the aesthetic, value.en_US
dc.language.isoBulgarianen_US
dc.publisherУИ "Паисий Хилендарски"en_US
dc.subjectnational and personal identityen_US
dc.subjectpatriarchy – modernityen_US
dc.subject“one’s“ – “other’s“ in Bulgarian Renaissance Dramaturgyen_US
dc.titleЕЗИЦИТЕ НА ДРУГОСТТА ВЪВ ВЪЗРОЖДЕНСКАТА ДРАМАТУРГИЯen_US
dc.typeArticleen_US


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