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dc.contributor.authorMikulecký, Jakub
dc.date.accessioned2021-03-21T10:19:58Z
dc.date.available2021-03-21T10:19:58Z
dc.date.issued2018
dc.identifier.citationMikulecký, Jakub, "THE TIED UP BALLOON AND ANGEL BABY. BINKA ZHELYAZKOVA AND MARRAN GOSOV`S FILMS IN CZECHOSLOVAK RECEPTION", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 56, BOOK 1, PART B, 2018 – LANGUAGES AND LITERATURE, 218-226en_US
dc.identifier.issn0861-0029
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/871
dc.description.abstractThe following paper focuses on Binka Zhelyazkova`s film The Tied Up Balloon and Marran Gosov`s Angel Baby released in Czechoslovakia in 1968. The analysis of their reception in Czechoslovak press could refer to the general atmosphere at the time of the political and cultural liberalization during the Prague Spring. The analysis also could be a probe into the process of the so called normalization – a restrictive period following the Warsaw Pact invasion of Czechoslovakia in August 1968.en_US
dc.language.isootheren_US
dc.publisherУИ "Паисий Хилендарски"en_US
dc.subjectBulgarian cinemaen_US
dc.subjectBinka Zhelyazkovaen_US
dc.subjectMarran Gosoven_US
dc.subjectPrague Spring 1968en_US
dc.titleTHE TIED UP BALLOON AND ANGEL BABY. BINKA ZHELYAZKOVA AND MARRAN GOSOV`S FILMS IN CZECHOSLOVAK RECEPTIONen_US
dc.title.alternativePŘIPOUTANÝ BALÓN A ANDÍLEK ANEB PANNA Z BAMBERGU. FILMOVÁ TVORBA BINKY ŽELJAZKOVOVÉ A MARRANA GOSOVA V ČESKOSLOVENSKÉ RECEPCIen_US
dc.typeArticleen_US


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