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dc.contributor.authorBanot, Aleksandra
dc.date.accessioned2018-04-08T09:21:20Z
dc.date.available2018-04-08T09:21:20Z
dc.date.issued2011
dc.identifier.citationBanot, Aleksandra, "ŻYĆ (Z) UTRACONYM KSIĘCIEM. MELANCHOLIA W KOBIETACH ZOFII NAŁKOWSKIEJ, MELANCHOLIA W KOBIECIE-ZOFII NAŁKOWSKIEJ", PAISIY HILENDARSKY UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 49, BOOK 1, PART В, 2011 – LANGUAGES AND LITERATURE, 149-160en_US
dc.identifier.issn0861-0029
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/66
dc.description.abstractObrious to many scholars of the life and work of Zofia Nałkowska thesis the narcissistic "I" of the writer's personality dominated the thinking of the author of ‘Border’ (Granica) and sanctioned her autobiographical project. But a careful reading of the ‘Journals’ (Dzienniki) and the novels and short stories reveals a completely different "I" of Nałkowska: melancholic-depressive. Referring to the psychoanalytic concept of the melancholic-depressive syndrome (S. Freud, J. Kristeva), and assuming also that the development of the personality trait of melancholy in women is vital to the experience of first love – heterosexual and unrequited – I want to show how in Nałkowska (in ‘Journals’ (Dzienniki) and the first novels) is carried out a loss of life – the image of the beloved, which was lost as an object of love.en_US
dc.language.isootheren_US
dc.publisherУИ "Паисий Хилендарски"en_US
dc.subjectZofia Nałkowskaen_US
dc.subjectmelancholic-depressive syndromeen_US
dc.subjectfemininityen_US
dc.subjectobject of loveen_US
dc.titleŻYĆ (Z) UTRACONYM KSIĘCIEM. MELANCHOLIA W KOBIETACH ZOFII NAŁKOWSKIEJ, MELANCHOLIA W KOBIECIE-ZOFII NAŁKOWSKIEJen_US
dc.typeArticleen_US


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