| dc.contributor.author | Barbosa, Lourdes | |
| dc.date.accessioned | 2018-04-08T09:17:35Z | |
| dc.date.available | 2018-04-08T09:17:35Z | |
| dc.date.issued | 2011 | |
| dc.identifier.citation | Barbosa, Lourdes, "ALAIN ROBBE-GRILLET ET LE SURRÉALISME EN BELGIQUE", PAISIY HILENDARSKY UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 49, BOOK 1, PART В, 2011 – LANGUAGES AND LITERATURE, 138-148 | en_US |
| dc.identifier.issn | 0861-0029 | |
| dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/65 | |
| dc.description.abstract | Born in 1922, two years before the publication of the First Manifesto of Surrealism, Robbe-Grillet has never participated in the movement of André Breton, however, the emergence in 1975 of La Belle Captive, a novel which contains 77 paintings by René Magritte, suggests a link between the Nouveau Roman and the surrealist aesthetics. This is the relationship that our article will reveal. | en_US |
| dc.language.iso | fr | en_US |
| dc.publisher | УИ "Паисий Хилендарски" | en_US |
| dc.subject | Myth-analysis | en_US |
| dc.subject | Symbology | en_US |
| dc.subject | Image | en_US |
| dc.subject | Painting | en_US |
| dc.subject | Semiotics | en_US |
| dc.subject | Surrealism | en_US |
| dc.subject | Nouveau Roman | en_US |
| dc.title | ALAIN ROBBE-GRILLET ET LE SURRÉALISME EN BELGIQUE | en_US |
| dc.type | Article | en_US |
