РОЛЯТА НА МЕТАФОРАТА В КАТЕГОРИИТЕ НА КОМИЧНОТО
dc.contributor.author | Хамзе, Димитрина | |
dc.date.accessioned | 2018-04-08T09:13:13Z | |
dc.date.available | 2018-04-08T09:13:13Z | |
dc.date.issued | 2011 | |
dc.identifier.citation | Хамзе, Димитрина, "РОЛЯТА НА МЕТАФОРАТА В КАТЕГОРИИТЕ НА КОМИЧНОТО", ПЛОВДИВСКИ УНИВЕРСИТЕТ „ПАИСИЙ ХИЛЕНДАРСКИ“ – БЪЛГАРИЯ, НАУЧНИ ТРУДОВЕ, ТОМ 49, КН. 1, СБ. Б, 2011 – ФИЛОЛОГИЯ, 123-137 | en_US |
dc.identifier.issn | 0861-0029 | |
dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/64 | |
dc.description.abstract | The metaphor is a complete and perfect form of spiritual creativity. It is a universal principle of culture and human freedom in culture. It ceases to be a means of expression and becomes a universal means of thinking. It is an extension of our cognitive ability. Since the deep structure of the metaphor is based on the comparative effort with a negative sign and negation is an invariant of the three representative categories of comedy – irony, parody and grotesque – then its main function is the comedogenic one. | en_US |
dc.language.iso | Bulgarian | en_US |
dc.publisher | УИ "Паисий Хилендарски" | en_US |
dc.subject | metaphors | en_US |
dc.subject | irony | en_US |
dc.subject | parody | en_US |
dc.subject | grotesque | en_US |
dc.subject | conceptualisation | en_US |
dc.subject | communication | en_US |
dc.title | РОЛЯТА НА МЕТАФОРАТА В КАТЕГОРИИТЕ НА КОМИЧНОТО | en_US |
dc.type | Article | en_US |
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Научни трудове, Филология (2011)
Научни трудове, Филология, 2011 г.