| dc.contributor.author | Aleksandrova, Sonya | |
| dc.contributor.author | Nikolova, Diyana | |
| dc.date.accessioned | 2021-03-21T11:18:04Z | |
| dc.date.available | 2021-03-21T11:18:04Z | |
| dc.date.issued | 2018 | |
| dc.identifier.citation | Aleksandrova, Sonya, Nikolova, Diyana, "TRANSFORMATIONS OF THE FEMALE MODEL IN THE CULTURE OF MODERNITY (LITERATURE IMAGE OF MATURE WOMAN IN THE POST PATRIARCHAL WORLD)", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 56, BOOK 1, PART B, 2018 – LANGUAGES AND LITERATURE, 312-323 | en_US |
| dc.identifier.issn | 0861-0029 | |
| dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/879 | |
| dc.description.abstract | We will discuss the presence and functions of character types, the appearance of which under the same name – Anna – is not as we claim coincidental. The presentation will focus on the name of Anna through the mythological meanings this name carries mainly in mythologies (Ancient Greek, Roman, Germanic-Scandinavian, Anglo-Saxon and Christian as well), tracing its functions and logical manifestations in a range of Western European literary works in the year 1953/54 through the novels „Under the net” by Iris Murdoch, „Bonjour tristesse” by Francoise Sagan, “Don Juan, or the love of geometry” by Max Frisch. | en_US |
| dc.language.iso | fr | en_US |
| dc.publisher | УИ "Паисий Хилендарски" | en_US |
| dc.subject | Anna | en_US |
| dc.subject | mother | en_US |
| dc.subject | marriage | en_US |
| dc.subject | Sagan | en_US |
| dc.subject | Murdoch | en_US |
| dc.subject | Frisch | en_US |
| dc.title | TRANSFORMATIONS OF THE FEMALE MODEL IN THE CULTURE OF MODERNITY (LITERATURE IMAGE OF MATURE WOMAN IN THE POST PATRIARCHAL WORLD) | en_US |
| dc.title.alternative | TRANSFORMATIONS DU MODÈLE FEMININ DANS LA CULTURE DE LA MODERNITÉ (L’IMAGE LITTÉRAIRE DE LA FEMME MÛRE DANS LE MONDE POST-PATRIARCAL) | en_US |
| dc.type | Article | en_US |
