| dc.contributor.author | Aleksandrova, Aleksandra | |
| dc.date.accessioned | 2021-03-21T10:14:44Z | |
| dc.date.available | 2021-03-21T10:14:44Z | |
| dc.date.issued | 2018 | |
| dc.identifier.citation | Aleksandrova, Aleksandra, "ATTACK ON CULTURE: MILAN KNÍŽÁK AND THE CZECH ROCK POETRY FROM THE END OF THE 1960s", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 56, BOOK 1, PART B, 2018 – LANGUAGES AND LITERATURE, 208-217 | en_US |
| dc.identifier.issn | 0861-0029 | |
| dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/870 | |
| dc.description.abstract | This article examines the concept of proto-underground in the Czech counter-culture during the 1960s. This temr is comparatively new – it is used by František Stárek Čuňas in 2012. The vision of the proto-underground is mainly represented through the multi-genred art of the complex and controversial figure Milan Knížák. He is not only a founder of the proto-underground rock band Aktual, but also the author of their lyrics which are non-conformist, rebellious, self-ironic, and self-destructive. Knížák is also the founder and ideologist of the eponymous union of artists which is a forerunner of the real underground in the 70s. | en_US |
| dc.language.iso | Bulgarian | en_US |
| dc.publisher | УИ "Паисий Хилендарски" | en_US |
| dc.subject | Protounderground | en_US |
| dc.subject | Czech Underground | en_US |
| dc.subject | rock poetry | en_US |
| dc.subject | Milan Knížák | en_US |
| dc.subject | counterculture | en_US |
| dc.subject | 1960s | en_US |
| dc.subject | Aktual | en_US |
| dc.subject | stage performance | en_US |
| dc.subject | delirium | en_US |
| dc.subject | nonconformism | en_US |
| dc.title | ATTACK ON CULTURE: MILAN KNÍŽÁK AND THE CZECH ROCK POETRY FROM THE END OF THE 1960s | en_US |
| dc.title.alternative | АТЕНТАТ СРЕЩУ КУЛТУРАТА: МИЛАН КНИЖАК И ЧЕШКАТА РОК ПОЕЗИЯ ОТ КРАЯ НА 60-ТЕ ГОДИНИ НА ХХ ВЕК | en_US |
| dc.type | Article | en_US |
