| dc.contributor.author | Zolina, Polina | |
| dc.date.accessioned | 2019-01-13T13:08:00Z | |
| dc.date.available | 2019-01-13T13:08:00Z | |
| dc.date.issued | 2017 | |
| dc.identifier.citation | Zolina, Polina, "LIANOZOVO SCHOOL IN THE CONTEXT OF THE RUSSIAN AVANTGARDE AND POST-AVANTGARDE", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 55, BOOK 1, PART C, 2017 – LANGUAGES AND LITERATURE, 161-171 | en_US |
| dc.identifier.issn | 0861-0029 | |
| dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/717 | |
| dc.description.abstract | Lianozovo school is one of the post-avant-garde poetic groups that arose in the post-war period in the Moscow region. Lianozovo group has been especially known for its “baraque poetry”, which flourished in the 1950s – 1960s. Despite the fact that unofficial poetry was a phenomenon relatively spontaneous and isolated, it is possible to find a definite connection with the previous avant-garde tradition (primarily the poetics of OBERIU), but also with the tradition of conceptualism, which emerged later, as well as with social art and postmodernism. The article will be devoted to the analysis and specifics of these links. | en_US |
| dc.language.iso | Russian | en_US |
| dc.publisher | УИ "Паисий Хилендарски" | en_US |
| dc.subject | Lianozovo School | en_US |
| dc.subject | avant-garde and postmodern poetry | en_US |
| dc.subject | “baraque poetry” | en_US |
| dc.subject | unofficial poetry in SSSR | en_US |
| dc.title | LIANOZOVO SCHOOL IN THE CONTEXT OF THE RUSSIAN AVANTGARDE AND POST-AVANTGARDE | en_US |
| dc.title.alternative | ЛИАНОЗОВСКАЯ ШКОЛА В КОНТЕКСТЕ РУССКОГО АВАНГАРДА И ПОСТАВАНГАРДА | en_US |
| dc.type | Article | en_US |
