SUSAN GLASPELL ON THE VERGE1: MODERNIST FEMININITY  ON THE THRESHHOLD

dc.contributor.author	Muharska, Ralitsa
dc.date.accessioned	2018-07-26T11:34:19Z
dc.date.available	2018-07-26T11:34:19Z
dc.date.issued	2012
dc.identifier.citation	Muharska, Ralitsa, "SUSAN GLASPELL ON THE VERGE1: MODERNIST FEMININITY ON THE THRESHHOLD", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 50, BOOK 1, PART D, 2012 – LANGUAGES AND LITERATURE, 244-258	en_US
dc.identifier.issn	0861-0029
dc.identifier.uri	https://lib.uni-plovdiv.net/handle/123456789/577
dc.description.abstract	This text sets itself the task to look at playwright Susan Glaspell and her play The Verge (1921) as a representation of one of the chief thresholds of modernity: the changing position of women. The focus is on modernist nomadic gestures of ‘pioneering’ in both Glaspell’s writing and her artistic persona. The play is considered from the perspective of creative and moral trespassing in connection with two major cultural tendencies in US society: puritanical conservatism and frontier exploration. The discussion focuses on the migrations of both the fictional character, Claire Archer, and the real woman, Susan Glaspell.	en_US
dc.language.iso	en	en_US
dc.publisher	УИ "Паисий Хилендарски"	en_US
dc.subject	femininity / masculinity	en_US
dc.subject	nomadic displacement	en_US
dc.subject	modernist persona	en_US
dc.title	SUSAN GLASPELL ON THE VERGE1: MODERNIST FEMININITY ON THE THRESHHOLD	en_US
dc.type	Article	en_US