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dc.contributor.authorKilyovski, Vakrilen
dc.date.accessioned2018-07-26T11:31:59Z
dc.date.available2018-07-26T11:31:59Z
dc.date.issued2012
dc.identifier.citationKilyovski, Vakrilen, "THE “CHAIR CANING”, “L'OMBRE DU SOLEIL” & MR. R. MUTT’S URINAL: THE IMPACT OF TECHNOLOGY ON THE AVANTGARDISTS’ INTERART PRACTICES", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 50, BOOK 1, PART D, 2012 – LANGUAGES AND LITERATURE, 230-243en_US
dc.identifier.issn0861-0029
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/576
dc.description.abstractThe hybrid art forms of the collage, visual poetry and the “found objects” are among the highest manifestation of what Peter Bürger saw as “revolutionizing of art” by the historical avant-garde and what Michael Webster termed the “hybridization and contamination of art forms”. Walter Benjamin posed the question of the impact that technological development has on artistic practices, suggesting that new inventions like photography, the phonograph, or the cinema changed the very notion of art itself. Critics notwithstanding, the present paper intends to illuminate the artists’ view on the issue. To do this, I discuss works by Picasso, Apollinaire and Duchamp, among others.en_US
dc.language.isoenen_US
dc.publisherУИ "Паисий Хилендарски"en_US
dc.subjectavant-gardeen_US
dc.subjectvisual poetryen_US
dc.subjectcollageen_US
dc.subjectinterarten_US
dc.subjectfound objectsen_US
dc.subjecthybrid arten_US
dc.titleTHE “CHAIR CANING”, “L'OMBRE DU SOLEIL” & MR. R. MUTT’S URINAL: THE IMPACT OF TECHNOLOGY ON THE AVANTGARDISTS’ INTERART PRACTICESen_US
dc.typeArticleen_US


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