| dc.contributor.author | Pencheva, Anzhelina | |
| dc.date.accessioned | 2018-07-26T11:04:16Z | |
| dc.date.available | 2018-07-26T11:04:16Z | |
| dc.date.issued | 2012 | |
| dc.identifier.citation | Pencheva, Anzhelina, "A PLAYING HISTORY, A PLAYED HISTORY, A PLAY OF HISTORY IN POSTMODERN CZECH PROSE", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 50, BOOK 1, PART D, 2012 – LANGUAGES AND LITERATURE, 132-143 | en_US |
| dc.identifier.issn | 0861-0029 | |
| dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/567 | |
| dc.description.abstract | This text concerns the phenomenon of Czech readers losing their interest for the traditional historical novel after 1989 – a genre which was among the most prioritized and representative ones in the periods hitherto. In that aspect, it has been all but replaced by de-historicizing, pseudo-historicizing or quasihistoricizing variations, even by "historical fantasy", written in the spirit of postmodern poetics. One of these particular variations is scrutinized in the text – novels, whose axis is alternative history makeup. The novel "Gargling with Tar" (Klokatdehet, 2005) by famous postmodern Czech author Jáchym Topol has been selected as an example. | en_US |
| dc.language.iso | Bulgarian | en_US |
| dc.publisher | УИ "Паисий Хилендарски" | en_US |
| dc.subject | Czech historical novel | en_US |
| dc.subject | postmodern novel postmodern poetics | en_US |
| dc.subject | Jáchym Topol | en_US |
| dc.title | A PLAYING HISTORY, A PLAYED HISTORY, A PLAY OF HISTORY IN POSTMODERN CZECH PROSE | en_US |
| dc.title.alternative | ИГРАЕЩА ИСТОРИЯ, ИГРАНА ИСТОРИЯ, ИГРА НА ИСТОРИЯ В ПОСТМОДЕРНАТА ЧЕШКА ПРОЗА | en_US |
| dc.type | Article | en_US |
