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dc.contributor.authorManchorov, Atanas
dc.date.accessioned2018-06-02T14:34:26Z
dc.date.available2018-06-02T14:34:26Z
dc.date.issued2014
dc.identifier.citationManchorov, Atanas, "EINSTEIN’S UNIVERSE AND BAKHTIN’S THEORY OF POLYPHONY IN THE CREATION OF AN INTERDISCIPLINARY “INTERFACE”", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 52, BOOK 1, PART В, 2014 – LANGUAGES AND LITERATURE, 9-19en_US
dc.identifier.issn0861-0029
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/332
dc.description.abstractIn this paper, I shall attempt to show that Bakhtin’s methodology for the study Dostoevsky’s style necessitates an interdisciplinary approach which is not fortuitous, but one aimed at carrying out a long-term project. The main conclusion is that, by seeking to synchronize the sciences with the humanities, Bakhtin attributes the unity of culture to the subject’s living experience and draws a line of demarcation between the older schemes of monologism and the new forms of cognitive, ethical, and aesthetic activity within the purview of his transgredience-based dialogism.en_US
dc.language.isoenen_US
dc.publisherУИ "Паисий Хилендарски"en_US
dc.subjectEinsteinen_US
dc.subjectBakhtinen_US
dc.subjectDostoevskyen_US
dc.subjectinterdisciplinary “interface”en_US
dc.subjectpolyphonyen_US
dc.titleEINSTEIN’S UNIVERSE AND BAKHTIN’S THEORY OF POLYPHONY IN THE CREATION OF AN INTERDISCIPLINARY “INTERFACE”en_US
dc.typeArticleen_US


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