dc.contributor.author | Manchorov, Atanas | |
dc.date.accessioned | 2018-06-02T14:34:26Z | |
dc.date.available | 2018-06-02T14:34:26Z | |
dc.date.issued | 2014 | |
dc.identifier.citation | Manchorov, Atanas, "EINSTEIN’S UNIVERSE AND BAKHTIN’S THEORY OF POLYPHONY IN THE CREATION OF AN INTERDISCIPLINARY “INTERFACE”", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 52, BOOK 1, PART В, 2014 – LANGUAGES AND LITERATURE, 9-19 | en_US |
dc.identifier.issn | 0861-0029 | |
dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/332 | |
dc.description.abstract | In this paper, I shall attempt to show that Bakhtin’s methodology for the study Dostoevsky’s style necessitates an interdisciplinary approach which is not fortuitous, but one aimed at carrying out a long-term project. The main conclusion is that, by seeking to synchronize the sciences with the humanities, Bakhtin attributes the unity of culture to the subject’s living experience and draws a line of demarcation between the older schemes of monologism and the new forms of cognitive, ethical, and aesthetic activity within the purview of his transgredience-based dialogism. | en_US |
dc.language.iso | en | en_US |
dc.publisher | УИ "Паисий Хилендарски" | en_US |
dc.subject | Einstein | en_US |
dc.subject | Bakhtin | en_US |
dc.subject | Dostoevsky | en_US |
dc.subject | interdisciplinary “interface” | en_US |
dc.subject | polyphony | en_US |
dc.title | EINSTEIN’S UNIVERSE AND BAKHTIN’S THEORY OF POLYPHONY IN THE CREATION OF AN INTERDISCIPLINARY “INTERFACE” | en_US |
dc.type | Article | en_US |