PERFORMING THE RESISTANCE IN CROATIA

Abstract

In this paper, I will investigate Croatian performance art practices from the nineties (with the emphasis on performance art and actions), by way of following the correlation of art and social engagement by chronotope modus – with regards to the performance centers (e.g. Dubrovnik, Labin, Pazin, Pula, Rijeka, Split, Osijek, Varaždin, Zagreb). In short, in the correlation of performance art/action and social engagement new fronts and oases of consciousness will be examined.