LINGUISTIC-STYLISTIC FEATURES OF CONTEMPORARY SERBIAN DRAMAS THAT DEVIATE FROM TRADITIONAL DRAMATIC FORMS

Abstract

In these texts stage directions and dialogues have not been clearly separated. Stage directions do not perform their normal function, but instead they are already integrated into the speech of the characters or they describe the psychological state of the hero. The story is fragmented, the character has been replaced by a Figure which does not have a personal name. The aim of our study is to examine the language form and the stylistic performance of the language that shapes the form of the dramas mentioned.