DARIO FO ON THE BULGARIAN SCENE – RESEARCH TRAJECTORIES AND ANALYTICAL PERSPECTIVES

Abstract

The text presents the research trajectories that the topic “Dario Fo on the Bulgarian stage” sets in the process of its research. Three analytical perspectives have been adopted – biographical, artistic and receptive. Their choice is wellmotivated and supported by grafic examples. The first two related to Fo – the person and the artist – are commented on in greater detail. The third direction, at this stage, is described only briefly by presenting what has been achieved so far in the study of Fo, his reception in Bulgaria, and the possibilities for further research.