PHOTOGRAPHIC SENSIBILITIES IN TWO EARLY NOVELS BY THOMAS HARDY
dc.contributor.author | Karamitev, Dimitar | |
dc.contributor.author | Карамитев, Димитър | |
dc.date.accessioned | 2022-06-30T12:12:51Z | |
dc.date.available | 2022-06-30T12:12:51Z | |
dc.date.issued | 2022-05-20 | |
dc.identifier.issn | 2682-9460 | |
dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/1038 | |
dc.description.abstract | The present paper deals with two early novels by Thomas Hardy – Desperate Remedies and, only peripherally, with A Pair of Blue Eyes – and brings into focus his inclination to create verbal descriptions that display a distinctive photopgraphic sensibility. His artistic technique was inspired by his architectural education and pronounced interest in art. Scholars (Wolfgang Iser, Tsotcho Boyadzhiev, Roland Barthes, Hans-Georg Gadamer, etc.) have advanced reasonable explanations of how his method is used in literature. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Plovdiv University Press | en_US |
dc.subject | Thomas Hardy | en_US |
dc.subject | photography | en_US |
dc.subject | frame | en_US |
dc.subject | ekphrasis | en_US |
dc.subject | perception | en_US |
dc.title | PHOTOGRAPHIC SENSIBILITIES IN TWO EARLY NOVELS BY THOMAS HARDY | en_US |
dc.type | Article | en_US |