PHOTOGRAPHIC SENSIBILITIES IN TWO EARLY NOVELS BY THOMAS HARDY

dc.contributor.author	Karamitev, Dimitar
dc.contributor.author	Карамитев, Димитър
dc.date.accessioned	2022-06-30T12:12:51Z
dc.date.available	2022-06-30T12:12:51Z
dc.date.issued	2022-05-20
dc.identifier.issn	2682-9460
dc.identifier.uri	https://lib.uni-plovdiv.net/handle/123456789/1038
dc.description.abstract	The present paper deals with two early novels by Thomas Hardy – Desperate Remedies and, only peripherally, with A Pair of Blue Eyes – and brings into focus his inclination to create verbal descriptions that display a distinctive photopgraphic sensibility. His artistic technique was inspired by his architectural education and pronounced interest in art. Scholars (Wolfgang Iser, Tsotcho Boyadzhiev, Roland Barthes, Hans-Georg Gadamer, etc.) have advanced reasonable explanations of how his method is used in literature.	en_US
dc.language.iso	en	en_US
dc.publisher	Plovdiv University Press	en_US
dc.subject	Thomas Hardy	en_US
dc.subject	photography	en_US
dc.subject	frame	en_US
dc.subject	ekphrasis	en_US
dc.subject	perception	en_US
dc.title	PHOTOGRAPHIC SENSIBILITIES IN TWO EARLY NOVELS BY THOMAS HARDY	en_US
dc.type	Article	en_US