In this paper, essays called „Bulgarian Writers and Literature. First Historian and First Writer: Paisiy“ and „Bulgarian Writers and Literature. Successors of Paisiy. The Beauty of Language to Rebirth and Improvement“, ...

The article describes the changes in the receptive horizon in Bulgaria after World War I and their impact on the perception of literary avant-gardism. Focusing on the feeling of acceleration as epochal crisis and disorder ...

In the last one and a half year due to the successful partnership between professors of Plovdiv University and Sofia University, the National Academy of Theatre and Film Arts, the Institute of Art Studies of the Bulgarian ...

The literary side of Mussolini’s presence in Bulgaria is the less commented one, but it holds the key to numerous aspects of his ideological influence. The translations of his works and the consequent discussions in Bulgaria ...

The paper focuses on the E. T. A. Hoffmann`s reception in Bulgaria: translations, adaptations, interpretations, comments, valuations. The paper pays attention to the relation between the reception setting and the political ...

Based on the reception of Karel Hynek Mácha, we hereby suggest a structural model which comprises four fields of interaction: art (i.e. an author’s overall literary work) – recipient, recipient – lifetime, lifetime – author, ...

The paper is focused on the reception of Dalchev by the poetical books of Miglena Nikolchina, “Sorrow a la Dalchev” (1994) and Boriana Katsarska, “Other Name” (1991). Both poets address the figure of Dalchev but from a ...

This paper focuses on the reception of Frankenstein in order to trace the transition from its reading as a Gothic story in the early nineteenth century to our contemporary awareness that this is a myth about the human ...

The aim of this article is to briefly describe the paradigm of Czech modernism and its importance for the Mácha reception. The first part of the article focuses on the actual description of the period of Czech literary ...

The study is focused on the short story “Magnetism and dushebortsi” (1856), its source, “Some Words with a Mummy” (1974) and some other “fearful” narratives from that time. These short stories were connected with attempts ...