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dc.contributor.authorTrendafilov, Vladimir
dc.date.accessioned2018-05-07T13:22:47Z
dc.date.available2018-05-07T13:22:47Z
dc.date.issued2015
dc.identifier.citationTrendafilov, Vladimir, "METAPHOR AND CENSORSHIP: ON ONE OF THE LINES OF INTERACTION BETWEEN LITERATURE AND SOCIETY", PAISII HILENDARSKI UNIVERSITY OF PLOVDIV – BULGARIA, RESEARCH PAPERS, VOL. 53, BOOK 1, PART В, 2015 – LANGUAGES AND LITERATURE, 9-15en_US
dc.identifier.issn0861-0029
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/231
dc.description.abstractThe essay dwells on the intricate ways of exchange between establishment and anti-establishment aesthetics in the literature of Bulgaria during socialism. Ideological variation did not necessarily lead to differences in aesthetic value; on the contrary, the latter (literariness or metaphor) seems to have been common territory among camps and coteries in the literary field. This should serve to indicate, so the argument goes, that there existed, during socialism, a particular aesthetic epistheme, which was replaced by another after the 1989 political changes.en_US
dc.language.isoBulgarianen_US
dc.publisherУИ "Паисий Хилендарски"en_US
dc.subjectmetaphoren_US
dc.subjectcensorshipen_US
dc.subjectepisthemeen_US
dc.subjectBulgarian literatureen_US
dc.subjectsocialismen_US
dc.titleMETAPHOR AND CENSORSHIP: ON ONE OF THE LINES OF INTERACTION BETWEEN LITERATURE AND SOCIETYen_US
dc.title.alternativeМЕТАФОРА И ЦЕНЗУРА: РАЗСЪЖДЕНИЕ ВЪРХУ ЕДНА ОТ ЛИНИИТЕ НА ВЗАИМОДЕЙСТВИЕ МЕЖДУ ЛИТЕРАТУРА И ОБЩЕСТВОen_US
dc.typeArticleen_US


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