dc.contributor.author | Mihaleva, Simona-Aleks | |
dc.contributor.author | Михалева, Симона-Алекс | |
dc.date.accessioned | 2022-06-30T13:54:57Z | |
dc.date.available | 2022-06-30T13:54:57Z | |
dc.date.issued | 2022-05-20 | |
dc.identifier.issn | 2682-9460 | |
dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/1044 | |
dc.description.abstract | The paper is focused on the graphic presentation of the short short stories
included in the books from the Competition for a short story on one page,
organised in Serbia between 1987 and 1998. Built intertextually and
interdisciplinary the stories eliminate the border between visual and verbal. On
the one hand this represents a compensatory process – minimalistic forms create
minimal volume on account of certain elements of classical works. On the other
hand these short short stories provoke the conventional understanding of
literature and make us question ourselves how acceptable is this moving and
even removing of the definition for graphics and text. | en_US |
dc.language.iso | other | en_US |
dc.publisher | Plovdiv University Press | en_US |
dc.subject | minimalistic literature | en_US |
dc.subject | Serbian literature | en_US |
dc.subject | short short story | en_US |
dc.subject | graphic presentation | en_US |
dc.subject | Competition for a short story on one page | en_US |
dc.title | WORD AS GRAPHICS – THE GRAPHIC PRESENTATION OF THE MINIMALISTIC STORIES IN SERBIAN LITERATURE FROM THE END OF THE 20TH CENTURY | en_US |
dc.title.alternative | СЛОВОТО КАТО ГРАФИКА – ГРАФИЧЕСКОТО ОФОРМЛЕНИЕ НА МИНИМАЛИСТИЧНИТЕ РАЗКАЗИ В СРЪБСКАТА ЛИТЕРАТУРА ОТ КРАЯ НА ХХ ВЕК | en_US |
dc.type | Article | en_US |