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    TENNYSON AND GEO MILEV – MAPPING AN ENCOUNTER THAT NEVER TOOK PLACE 

    Rowland, Yana (УИ "Паисий Хилендарски", 2011)
    Работата предлага разсъждения върху възприятието на Гео Милев на онтологична проблематика в творчеството на викторианския поет Алфред Тенисън. Преводите на Гео Милев на две стихотворения на Тенисън се вписват приносно в ...
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    HUMANIZED AND HUMANIZING: NATURE AS A TASK IN ELIZABETH BARRETT BROWNING’S AURORA LEIGH 

    Rowland, Yana (УИ "Паисий Хилендарски", 2016)
    The aim of the present paper is to explore the role of nature in the emergence of the (artist’s) self as a contract between the internalization of the surrounding reality and the externalization of one’s own private world. ...
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    ON TWO INSUFFICIENCIES IN ELIZABETH BARRETT BROWNING’S POETRY 

    Rowland, Yana (УИ "Паисий Хилендарски", 2015)
    This paper deals with two poems by Elizabeth Barrett Browning, both titled “Insufficiency” and written in the period 1844-46. The common ground is the problem of self-expression – ever limited because contingent upon one’s ...
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    FALTERING SENTENCES, FALTERING SELVES: ON WILFRED OWEN’S POETRY – DULCE ET DECORUM EST AND FURTHER 

    Rowland, Yana (УИ "Паисий Хилендарски", 2014)
    Wilfred Owen’s poetry suggests – through dramatic propositional interchange between speech, breath, eye-contact and touch – the impossibility of an ultimate and complete achievement of sense in threshold situations where ...
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    LACUNAE: ON THOMAS HARDY’S HUMAN SHOWS, FAR PHANTASIES, SONGS AND TRIFLES (1925) 

    Rowland, Yana (УИ "Паисий Хилендарски", 2013)
    In Hardy’s Human Shows, Far Phantasies, Songs and Trifles (1925) one stumbles upon a surprising variety of lack, expressed through the expiration of beloved people, the departure of sustainable hopes for a more humane ...
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    CIRCUMSTANCE AND IDENTITY IN THOMAS HARDY’S SATIRES OF CIRCUMSTANCE IN FIFTEEN GLIMPSES (1911) 

    Rowland, Yana (УИ "Паисий Хилендарски", 2012)
    The paper examines the anthropological dimensions of the circumstance as such in Thomas Hardy’s Satires of Circumstance in Fifteen Glimpses (1911). Designed as a series of snapshots of reality, this cycle reveals the ...
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    MORE (THAN) ONESELF: ELIZABETH BARRETT BARRETT’S PROMETHEUS (1833) – PREFACED 

    Rowland, Yana (УИ "Паисий Хилендарски", 2017)
    With the publication of Prometheus Bound, with Other Poems in 1833 Elizabeth Barrett Barrett’s by then confirmed interest in the theme of building meaning in communal and historical terms acquires prominence. In the present ...
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    ELIZABETH BARRETT BROWNING’S BEGINNINGS: 1812 – 1814 

    Rowland, Yana (УИ "Паисий Хилендарски", 2018)
    In this paper I explore Elizabeth Barrett Browning’s first ever 10 poems, composed [c. 1812–1814]. These initial poetic attempts suggest the emergence of the young writer’s cultural awareness of time and space in relation ...
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    THE SENSE OF AN ENDING: ELIZABETH BARRETT BROWNING’S PERCEPTION OF DEATH (BASED ON THE SERAPHIM AND OTHER POEMS, 1838) 

    Rowland, Yana (УИ "Паисий Хилендарски", 2019)
    This paper is a tribute to Elizabeth Barrett Browning’s perception of death according to The Seraphim and Other Poems (1838). While I focus more specifically on the image of the mourning mother in Isobel’s Child and The ...
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    CHILDREN CROSSING BORDERS: EXPERIENCE AND KNOWLEDGE IN ELIZABETH BARRETT BROWNING’S JUVENILE CAUTIONARY TALES 

    Rowland, Yana (УИ "Паисий Хилендарски", 2020)
    This paper focuses on Elizabeth Barrett Browning’s juvenile cautionary prose-fiction tales in the period 1814 – 1818: Sebastian or the Lost Child, The Way to Humble Pride, Disobedience, Julia or Virtue, and Charles de ...
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    Rowland, Yana (11)
    SubjectElizabeth Barrett Browning (4)memory (4)ontology (4)hermeneutics (3)selfhood (3)death (2)identity (2)sense (2)Thomas Hardy (2)aesthetic experience (1)... View MoreDate Issued2011 (1)2012 (1)2013 (1)2014 (1)2015 (1)2016 (1)2017 (1)2018 (1)2019 (1)2020 (1)Has File(s)
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