Now showing items 1-5 of 5

    • THE ABSENCE OF THE CHARACTER AS A SACRED MANIFESTATION OF THE PERSONALITY IN PUSHKIN’S DRAMA “BORIS GODUNOVˮ 

      Hanzarova, Maria (УИ "Паисий Хилендарски", 2018)
      This article presents a different view and interpretation through the Biblical-Christian tradition of Pushkin's drama "Boris Godunov", and in particular the socalled “absent character“ in the text, as under the “absent ...
    • THE ISSUE OF GENRE-NESS IN SHAKESPEAREAN DRAMA 

      Manchorov, Atanas (УИ "Паисий Хилендарски", 2017)
      The present paper re-examines Shakespearean genre-ness in its historical context. Accordingly, attention has been focused on the two storylines of Western dramatic theory and practice, classical and non-classical, which ...
    • IVO ANDRIC IN THE THEATRE AND ABOUT THE THEATRE 

      Brdjanin, Branko (УИ "Паисий Хилендарски", 2012)
      It is widely known that Ivo Andric often hesitated and rejected to give his consent to the “dramatization” of his prose texts, and he objected even more to their scene and television performance and film or television ...
    • THE TRAGIC SPIRIT IN THE HOUSE OF BERNARDA ALBA 

      Moirón, Rocío (УИ "Паисий Хилендарски", 2012)
      Federico García Lorca had a deep knowledge of Classical Literature and he often defended the need to recover the spirit of Greek tragedy. Most literary critics agree on the existence of a tragic character in Yerma and Bodas ...
    • ЕДИН ЮНОША ЧЕТЕ „ИДИОТ“, ИЛИ ЧЕХОВ НА ГОЛЕМИЯ ПЪТ КЪМ ДРАМАТА 

      Димитров, Людмил (УИ "Паисий Хилендарски", 2011)
      The text makes an attempt to clarify one aspect of the comparative area „Chekhov – Dostoevsky“, traditionally regarded in literary history and literary studies as futile, so that it has only ravely or conditionally,been ...