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dc.contributor.authorBozova, Vesela
dc.contributor.authorБозова, Весела
dc.date.accessioned2026-08-02T05:10:40Z
dc.date.available2026-08-02T05:10:40Z
dc.date.issued2026-05-21
dc.identifier.issn2682-9460
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/1302
dc.description.abstractThe paper analyzes the literary language and the problem of play in the novella “The Portrait of My Double” as forms of resistance against the language of socialist ideology. The main thesis of the study is that the game functions as a metaphor for an autonomous reality governed by its own internal rules, according to which deceit, ruthlessness, and amorality are considered virtues. Within this play-world, the individual achieves a paradoxical kind of freedom – while remaining subject to the rules of the game, they are able to “play” with their identity, liberating themselves not only from the dogmas of ideology and society, but also from their own self. In this way the characters in the novella oppose the narrative of the “new” virtuous socialist man.en_US
dc.language.isootheren_US
dc.publisherPlovdiv University Pressen_US
dc.subjectlanguageen_US
dc.subjectresistanceen_US
dc.subjectplayen_US
dc.subjectidentityen_US
dc.subjectideologyen_US
dc.titleLANGUAGE AS RESISTANCE: PLAY AND IDENTITY IN GEORGI MARKOV’S “THE PORTRAIT OF MY DOUBLE”en_US
dc.title.alternativeЕЗИКЪТ КАТО СЪПРОТИВА: ИГРА И ИДЕНТИЧНОСТ В НОВЕЛАТА „ПОРТРЕТЪТ НА МОЯ ДВОЙНИК“ НА ГЕОРГИ МАРКОВen_US
dc.typeArticleen_US


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