| dc.contributor.author | Ananiev, Ivan | |
| dc.contributor.author | Ананиев, Иван | |
| dc.date.accessioned | 2026-08-02T04:47:36Z | |
| dc.date.available | 2026-08-02T04:47:36Z | |
| dc.date.issued | 2026-05-21 | |
| dc.identifier.issn | 2682-9460 | |
| dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/1298 | |
| dc.description.abstract | In this study, the evolution of Nabokov’s chronotope is examined, with particular attention placed on its movement toward a modern mode of narration.
Within his Russian-language novels, recurrent émigré themes are especially
prominent. “Invitation to a Beheading” stands apart from this context. In it, Vladimir Nabokov transcends the limits of political satire and produces a work that
may be regarded as an ontological allegory. The novel offers a successful attempt
to articulate an ontological model of human exile. | en_US |
| dc.language.iso | other | en_US |
| dc.publisher | Plovdiv University Press | en_US |
| dc.subject | Nabokov’s chronotope | en_US |
| dc.subject | modern narration | en_US |
| dc.subject | “Invitation to a Beheading” | en_US |
| dc.subject | ontological allegory | en_US |
| dc.subject | human exile | en_US |
| dc.title | THE OPPOSITION BETWEEN TRANSPARENCY AND OPACITY IN VLADIMIR NABOKOV’S NOVEL “INVITATION TO ABEHEADING” | en_US |
| dc.title.alternative | ОПОЗИЦИЯТА ПРОЗРАЧНОСТ – НЕПРОЗРАЧНОСТ В РОМАНА „ПОКАНА ЗА ЕКЗЕКУЦИЯ“ НА ВЛАДИМИР НАБОКОВ | en_US |
| dc.type | Article | en_US |