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dc.contributor.authorAnaniev, Ivan
dc.contributor.authorАнаниев, Иван
dc.date.accessioned2026-08-02T04:47:36Z
dc.date.available2026-08-02T04:47:36Z
dc.date.issued2026-05-21
dc.identifier.issn2682-9460
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/1298
dc.description.abstractIn this study, the evolution of Nabokov’s chronotope is examined, with particular attention placed on its movement toward a modern mode of narration. Within his Russian-language novels, recurrent émigré themes are especially prominent. “Invitation to a Beheading” stands apart from this context. In it, Vladimir Nabokov transcends the limits of political satire and produces a work that may be regarded as an ontological allegory. The novel offers a successful attempt to articulate an ontological model of human exile.en_US
dc.language.isootheren_US
dc.publisherPlovdiv University Pressen_US
dc.subjectNabokov’s chronotopeen_US
dc.subjectmodern narrationen_US
dc.subject“Invitation to a Beheading”en_US
dc.subjectontological allegoryen_US
dc.subjecthuman exileen_US
dc.titleTHE OPPOSITION BETWEEN TRANSPARENCY AND OPACITY IN VLADIMIR NABOKOV’S NOVEL “INVITATION TO ABEHEADING”en_US
dc.title.alternativeОПОЗИЦИЯТА ПРОЗРАЧНОСТ – НЕПРОЗРАЧНОСТ В РОМАНА „ПОКАНА ЗА ЕКЗЕКУЦИЯ“ НА ВЛАДИМИР НАБОКОВen_US
dc.typeArticleen_US


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