| dc.description.abstract | This paper explores the figure of the queer-identified protagonist in Mehmet
Murat Somer’s “Hop-Çiki-Yaya” series as a cultural mediator, navigating between
diverse and often conflicting social spheres in contemporary Turkish society. The
protagonist – an unnamed, amateur detective and drag performer – challenges
dominant gender norms while inhabiting multiple cultural registers. Drawing on
theories of identity, and performativity, the analysis highlights how the protagonist operates within liminal zones, negotiating between traditional values and progressive ideals, Eastern and Western cultural codes, visibility and discretion.
Through linguistic play, fashion, and ironic social commentary, the character
bridges the gap between marginalized and mainstream discourses, turning queerness into a site of both resistance and reconciliation. The paper argues that this
unique positioning enables the protagonist not only to solve crimes, but also to
expose the contradictions of Turkish modernity and to foster dialogue across cultures. | en_US |