HEROINES OF THE NEW TIMES: EMANCIPATION THROUGH THE LANGUAGE OF FEMALE GOTHIC IN THE WORKS OF ANN RADCLIFFE AND ANTONIA S. BYATT
| dc.contributor.author | Dilova, Anastasiya | |
| dc.contributor.author | Дилова, Анастасия | |
| dc.date.accessioned | 2026-07-31T14:05:37Z | |
| dc.date.available | 2026-07-31T14:05:37Z | |
| dc.date.issued | 2026-06-21 | |
| dc.identifier.issn | 2682-9460 | |
| dc.identifier.uri | https://lib.uni-plovdiv.net/handle/123456789/1282 | |
| dc.description.abstract | This article focuses on the emancipation of women protagonists in the female Gothic genre, emphasizing their embodiment of the social norms and develop- mental opportunities of their time. At the heart of this trend, which later estab- lished as a tradition and continues to this day, is the concept of literary feminism (heroinism) introduced by Ellen Moers. The study focuses on two key works: the novel “The Mysteries of Udolpho” (1794) by the British novelist Ann Radcliffe and the Booker Prize-winning novel “Possession” (1990) by A. S. Byatt. The her- oines brought into comparison – the young lady Emily St. Auber and the scientific researcher Maud Bailey, outline the essential characteristics and developmental features of the new type of literary protagonist – from a curious girl who cannot travel without an escort to a serious woman who builds her career as a researcher with a PhD in literature. | en_US |
| dc.language.iso | other | en_US |
| dc.publisher | Plovdiv University Press | en_US |
| dc.subject | heroines | en_US |
| dc.subject | female gothic | en_US |
| dc.subject | English literature | en_US |
| dc.subject | emancipation | en_US |
| dc.subject | gothic literature | en_US |
| dc.title | HEROINES OF THE NEW TIMES: EMANCIPATION THROUGH THE LANGUAGE OF FEMALE GOTHIC IN THE WORKS OF ANN RADCLIFFE AND ANTONIA S. BYATT | en_US |
| dc.title.alternative | ГЕРОИНИ НА НОВОТО ВРЕМЕ: ЕМАНЦИПИРАНЕ ПРЕЗ ЕЗИКА НА ЖЕНСКАТА ГОТИКА В РОМАНИТЕ НА АН РАДКЛИФ И АНТОНИЯ С. БАЙЪТ | en_US |
| dc.type | Article | en_US |