MANIFESTATIONS OF NEOREALISM IN THE NOVELLA “ALIENATION” AND THE SCREENPLAY “A PEASANT ON A BICYCLE” BY GEORGI MISHEV

dc.contributor.author	Savov, Ivan
dc.contributor.author	Савов, Иван
dc.date.accessioned	2026-04-06T20:14:18Z
dc.date.available	2026-04-06T20:14:18Z
dc.date.issued	2025-05-23
dc.identifier.issn	2682-9460
dc.identifier.uri	https://lib.uni-plovdiv.net/handle/123456789/1266
dc.description.abstract	The aim of this paper is to trace the influence of the aesthetics of Italian neorealism in cinema on two works by Georgi Mishev – the novella “Alienation” and the screenplay “A Peasant on a Bicycle”. The historical emergence and diverse influences on neorealism are outlined, as well as its specific features. The manifestations of neorealism in Georgi Mishev's work are studied – its characteristic cinematic quality, unadulteratedness, etc., as well as its interaction with the dogmas of socialist realism.	en_US
dc.language.iso	other	en_US
dc.publisher	Plovdiv University Press	en_US
dc.subject	neorealism	en_US
dc.subject	socialism	en_US
dc.subject	migration theme	en_US
dc.subject	literature and cinema	en_US
dc.title	MANIFESTATIONS OF NEOREALISM IN THE NOVELLA “ALIENATION” AND THE SCREENPLAY “A PEASANT ON A BICYCLE” BY GEORGI MISHEV	en_US
dc.title.alternative	ПРОЯВЛЕНИЯ НА НЕОРЕАЛИЗМА В ПОВЕСТТА „ОТДАЛЕЧАВАНЕ“ И КИНОСЦЕНАРИЯ „СЕЛЯНИНЪТ С КОЛЕЛОТО“ ОТ ГЕОРГИ МИШЕВ	en_US
dc.type	Article	en_US