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dc.contributor.authorDamyanova, Zlatina
dc.contributor.authorДамянова, Златина
dc.date.accessioned2024-12-12T15:57:30Z
dc.date.available2024-12-12T15:57:30Z
dc.date.issued2024-05-17
dc.identifier.issn2682-9460
dc.identifier.urihttps://lib.uni-plovdiv.net/handle/123456789/1229
dc.description.abstractThe purpose of the paper is to examine the vita of Zosima from the novel “The Brothers Karamazov” as a non-canonical or modernized version of this medieval genre, and for this purpose it was “extracted/torn off” from the novel. The characteristics and elements according to which the text can or cannot be classified in terms of genre to hagiographic literature are indicated. After laying it back its function in the context of the entire novel is examined through Lotman's theory of dual codes and the mechanisms of “mirror” and “autoreflection”.en_US
dc.language.isootheren_US
dc.publisherPlovdiv University Pressen_US
dc.subjectDostoevskyen_US
dc.subject“The Brothers Karamazov”en_US
dc.subjectZosimaen_US
dc.subjectAlexeien_US
dc.subjectvitaen_US
dc.subjectmedieval genreen_US
dc.subjectdual codesen_US
dc.subjectautoreflectionen_US
dc.subjectmirroren_US
dc.titleONE ALMOST CONTEMPORARY ALMOST “VITA”. ALEXEI KARAMAZOV AS A HAGIOGRAPHERen_US
dc.title.alternativeЕДНО ПОЧТИ СЪВРЕМЕННО ПОЧТИ ЖИТИЕ. АЛЕКСЕЙ КАРАМАЗОВ КАТО АГИОГРАФen_US
dc.typeArticleen_US


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