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THE SHARED AUTOBIOGRAPHY IN ROMAN POLANSKI’S „THE PIANIST“ (POLANSKI – SPILLMANN – CHOPIN – HOSENFELD)
(УИ "Паисий Хилендарски", 2015)
The text interprets Roman Polanski’s film „The Pianist“ as a „shared autobiography“ (of Spillmann, Chopin, Hosenfeld and Polanski himself) with four synchronized layers of meaning, respectively. The layer which foregrounds ...
(AUTO)BIOGRAPHIES IN THE FEMINIST LITERARY CRITICISM
(УИ "Паисий Хилендарски", 2015)
In the present article I attempt to characterize some trends of (auto)biography in contemporary feminist criticism in Poland, created in accordance with Julia Kristeva’s project of ‘depoliticised’ revolution. On the one ...