Now showing items 1-6 of 6
THE PROBLEM OF TRUTH IN BAKHTIN’S THEORY OF DIALOGISM
(УИ "Паисий Хилендарски", 2016)
This paper seeks to examine the problem of truth as one of the major underpinnings of dialogism. The main thesis argued here is that truth is not an abstract concept anymore, since it arises from the unique position that ...
THE UNITY OF COGNITION IN BAKHTIN’S ONTOLOGY OF BECOMING
(УИ "Паисий Хилендарски", 2015)
The present paper sheds light on Bakhtin’s grasp of the individual’s role in achieving a synthesis of theoretical judgments and ethical personalism. My major thesis is that he uses the lexicon of Western philosophy, but ...
EINSTEIN’S UNIVERSE AND BAKHTIN’S THEORY OF POLYPHONY IN THE CREATION OF AN INTERDISCIPLINARY “INTERFACE”
(УИ "Паисий Хилендарски", 2014)
In this paper, I shall attempt to show that Bakhtin’s methodology for the study Dostoevsky’s style necessitates an interdisciplinary approach which is not fortuitous, but one aimed at carrying out a long-term project. The ...
THE PROCESSUS TALENTORUM (TOWNELEY XXIV) AND THE CULTURE OF LAUGHTER IN MEDIEVAL ENGLISH DRAMA
(УИ "Паисий Хилендарски", 2013)
This article examines the manifestations of macaronic style in medieval religious drama (“The Processus Talentorum”), in particular the comic and satiric effects of that style, the hypostases as an object of ridicule, the ...
MEDIEVAL MYSTERY PLAYS AND THE PROTOPOLYPHONICITY OF ARTISTIC FORM
(УИ "Паисий Хилендарски", 2012)
The present article re-examines Bakhtin’s view of the historicity of polyphony. He argues that the treatment of polyvocality in ancient and medieval literature can be only formal due to the lack of favorable conditions for ...
THE ISSUE OF GENRE-NESS IN SHAKESPEAREAN DRAMA
(УИ "Паисий Хилендарски", 2017)
The present paper re-examines Shakespearean genre-ness in its historical context. Accordingly, attention has been focused on the two storylines of Western dramatic theory and practice, classical and non-classical, which ...