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ЕДИН ЮНОША ЧЕТЕ „ИДИОТ“, ИЛИ ЧЕХОВ НА ГОЛЕМИЯ ПЪТ КЪМ ДРАМАТА
(УИ "Паисий Хилендарски", 2011)
The text makes an attempt to clarify one aspect of the comparative area „Chekhov – Dostoevsky“, traditionally regarded in literary history and literary studies as futile, so that it has only ravely or conditionally,been ...
ЦЪРКОВНИТЕ МИНЕИ И ИКОНОГРАФИЯTA В „ЮНОША“ НА Ф. М. ДОСТОЕВСКИ
(УИ "Паисий Хилендарски", 2011)
The paper discusses the alternative that the ideological and compositionimage system of the key scenes in „The Adolescent“ by Dostoevsky have been inspired by, and originate from, iconographic models of the church art of ...
ДМИТРИЙ МЕРЕЖКОВСКИ – ЕПИГОН, УЧЕНИК И ПОПУЛЯРИЗАТОР НА ДОСТОЕВСКИ
(УИ "Паисий Хилендарски", 2011)
The paper promotes an overview of the various ways in which the works of Dmitry Merezhkovsky refer to the works of Fyodor Dostoevsky and to their author himself. It attempts to actualise the archival concepts of „a pupil“ ...
ЗА ТВОРЧЕСКИЯ ДИАЛОГ МЕЖДУ ДОСТОЕВСКИ И ТУРГЕНЕВ
(УИ "Паисий Хилендарски", 2011)
The paper aims at examining the personal and artistic relationship between two of the most prominent writers of the 19th century in Russia. Based on their personal correspondence and works, the paper exposes the causes for ...