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<title>Научни трудове, Филология (2012)</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/13" rel="alternate"/>
<subtitle>Научни трудове, Филология, 2012 г.</subtitle>
<id>https://lib.uni-plovdiv.net/handle/123456789/13</id>
<updated>2026-04-05T14:10:21Z</updated>
<dc:date>2026-04-05T14:10:21Z</dc:date>
<entry>
<title>LEXICAL COMPARISON OF THE ZOGRAPH DRAFT TO THE EARLY COPIES OF PAISII'S HISTORY</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/726" rel="alternate"/>
<author>
<name>Toncheva, Hristina</name>
</author>
<id>https://lib.uni-plovdiv.net/handle/123456789/726</id>
<updated>2019-03-13T08:22:10Z</updated>
<published>2012-01-01T00:00:00Z</published>
<summary type="text">LEXICAL COMPARISON OF THE ZOGRAPH DRAFT TO THE EARLY COPIES OF PAISII'S HISTORY
Toncheva, Hristina
The article presents linguistic proof of the phonetic, morphological and lexical characteristics of three texts from Paisii Hilendarski’s Slavonic-Bulgarian History which are closest to Paisii’s original. The contrastive analysis describes a curious picture of mixing of Church-Slavonic rules of language with West-Bulgarian dialect features from Samokov region.
</summary>
<dc:date>2012-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>“PAPER CAN BEAR IT ALL” OR THE REVENGE OF INK ON THE (UN)WRITTEN HISTORIES OF OSTENSIBILITY.  THE FIRST EDITION OF LORA KARAVELOVA’S LETTERS</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/587" rel="alternate"/>
<author>
<name>Georgieva, Vania</name>
</author>
<id>https://lib.uni-plovdiv.net/handle/123456789/587</id>
<updated>2018-08-26T12:14:41Z</updated>
<published>2012-01-01T00:00:00Z</published>
<summary type="text">“PAPER CAN BEAR IT ALL” OR THE REVENGE OF INK ON THE (UN)WRITTEN HISTORIES OF OSTENSIBILITY.  THE FIRST EDITION OF LORA KARAVELOVA’S LETTERS
Georgieva, Vania
The text considers the literary value of Lora`s letters written by/to her both in the narrow literary sense and in the range of cultural time codes, when they were created and interpreted. Opposing to the vision whereby epistolary letters confirm the truth always – already – there, the text insists that to a great extent exactly Lora`s epistolary heritage, the way and the time of its presentation, reactions which it provoked generate the cliche by which both different critical conceptions and various public opinions insist that they should remember her.
</summary>
<dc:date>2012-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>POETICS OF ANALOGIES IN DIMTCHO DEBELYANOV'S POETRY</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/586" rel="alternate"/>
<author>
<name>Bozhinova, Kanelya</name>
</author>
<id>https://lib.uni-plovdiv.net/handle/123456789/586</id>
<updated>2018-08-26T12:13:52Z</updated>
<published>2012-01-01T00:00:00Z</published>
<summary type="text">POETICS OF ANALOGIES IN DIMTCHO DEBELYANOV'S POETRY
Bozhinova, Kanelya
The subject of the present paper is the problem of analogies and their inversion in Debelyanov’s poetry – a matter of structural significance in his poetic world. This issue has been approbated with students from the 11th grade of Ivan Vazov Foreign-Language High School in Plovdiv – as a lesson introducing novel knowledge. Debelyanov’s verses „Stifled wails“ and „Remember, remember that garden serene“ are presented on the basis of three focal points: analogies and inversion of analogies (memory-dream and reality), analogies of gestures, and synaesthesia – mixture of sensations.
</summary>
<dc:date>2012-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>PERCEPTION AS NARRATION IN LA VOYEUSE INTERDITE BY NINA BOURAOUI</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/585" rel="alternate"/>
<author>
<name>Nedeltcheva-Bellafante, Zlatorossa</name>
</author>
<id>https://lib.uni-plovdiv.net/handle/123456789/585</id>
<updated>2018-08-26T12:16:18Z</updated>
<published>2012-01-01T00:00:00Z</published>
<summary type="text">PERCEPTION AS NARRATION IN LA VOYEUSE INTERDITE BY NINA BOURAOUI
Nedeltcheva-Bellafante, Zlatorossa
This text discusses the issue of the role of perception in the construction of the narrative and the narrative voice in the novel La voyeuse interdite by Nina Bouraoui. Perceptions, especially visual ones, are central to the text. They create a parallel narrative of the senses and become the most important means of the main character’s getting to know the world and the other characters.
</summary>
<dc:date>2012-01-01T00:00:00Z</dc:date>
</entry>
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