<?xml version="1.0" encoding="UTF-8"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
<title>Научни трудове, Филология (2021)</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/1052" rel="alternate"/>
<subtitle>Научни трудове, Филология, 2021 г.</subtitle>
<id>https://lib.uni-plovdiv.net/handle/123456789/1052</id>
<updated>2026-04-14T16:12:25Z</updated>
<dc:date>2026-04-14T16:12:25Z</dc:date>
<entry>
<title>Татяна Ичевска. Българската литература. Сюжети, контексти, проучвания. София: УИ „Св. Климент Охридски“, 2021, 412 с. ISBN 978-954-07-5236-5.</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/1159" rel="alternate"/>
<author>
<name>Дечев, Здравко</name>
</author>
<id>https://lib.uni-plovdiv.net/handle/123456789/1159</id>
<updated>2022-12-11T12:40:52Z</updated>
<published>2021-01-01T00:00:00Z</published>
<summary type="text">Татяна Ичевска. Българската литература. Сюжети, контексти, проучвания. София: УИ „Св. Климент Охридски“, 2021, 412 с. ISBN 978-954-07-5236-5.
Дечев, Здравко
</summary>
<dc:date>2021-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>THE MUSICAL FORMS IN EMILIA DVORYANOVA’S NOVEL PASSION OR THE DEATH OF ALICE – AN ESCAPE FROM SOCIETY</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/1158" rel="alternate"/>
<author>
<name>Ganeva, Vesela</name>
</author>
<id>https://lib.uni-plovdiv.net/handle/123456789/1158</id>
<updated>2022-12-11T12:31:31Z</updated>
<published>2021-01-01T00:00:00Z</published>
<summary type="text">THE MUSICAL FORMS IN EMILIA DVORYANOVA’S NOVEL PASSION OR THE DEATH OF ALICE – AN ESCAPE FROM SOCIETY
Ganeva, Vesela
The study traces the interrelationships between literature and the musical forms fugue and passion. Significant for the analysis is the information about the personality of Bach and the science of onomastics. I find a connection between the names of the characters of the novel and the great composer. I initiate a new reading of the traditional musical form of passion and the novel by exploring biblical and musical elements, arguingthat they are deconstructed by the author to create unconventional meanings.
</summary>
<dc:date>2021-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>LIGHT IN NOVEMBER – THOMAS HARDY’S THE RETURN OF THE NATIVE (SOME HERMENEUTICAL REFLECTIONS ON TIME, HISTORY, AND HUMAN PERCEPTION)</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/1157" rel="alternate"/>
<author>
<name>Karamitev, Dimitar</name>
</author>
<id>https://lib.uni-plovdiv.net/handle/123456789/1157</id>
<updated>2022-12-11T12:38:42Z</updated>
<published>2021-01-01T00:00:00Z</published>
<summary type="text">LIGHT IN NOVEMBER – THOMAS HARDY’S THE RETURN OF THE NATIVE (SOME HERMENEUTICAL REFLECTIONS ON TIME, HISTORY, AND HUMAN PERCEPTION)
Karamitev, Dimitar
The present paper examines the presence of light as a narrative instrument in Thomas Hardy’s novel The Return of the Native. Attention is paid to how the author uses it uniquely and variously in order to develop plot. Some scientific definitions of phenomena are provided and a categorisation of the uses of light is made, the focus being mainly on the revelatory function of light. The employed critical perspectives are founded on phenomenology and hermeneutics.
</summary>
<dc:date>2021-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>HISTORICAL REMINISCENCES IN THE CONSTRUCTION OF FICTIONAL CHARACTERS IN THE NOVEL “THE THREE MUSKETEERS” BY А. DUMAS</title>
<link href="https://lib.uni-plovdiv.net/handle/123456789/1156" rel="alternate"/>
<author>
<name>Shkodrova, Аnna</name>
</author>
<id>https://lib.uni-plovdiv.net/handle/123456789/1156</id>
<updated>2022-12-11T12:34:53Z</updated>
<published>2021-01-01T00:00:00Z</published>
<summary type="text">HISTORICAL REMINISCENCES IN THE CONSTRUCTION OF FICTIONAL CHARACTERS IN THE NOVEL “THE THREE MUSKETEERS” BY А. DUMAS
Shkodrova, Аnna
In this article we will try to draw a parallel between the historical prototypes of the main characters in the novel „The Three Musketeers“ and their artistic construction in the course of the narrative. We will also look at the historical context in which the novel itself appeared as part of a new genre: the historical novel. The combination of real historical events and fiction is very characteristic of this new genre, which became more and more widespread in literature in the first half of the nineteenth century.
</summary>
<dc:date>2021-01-01T00:00:00Z</dc:date>
</entry>
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